Crawl is an album about brief moments in springtime. I used a sampler in place of tape loops and recorded it to four-track. Each piece was created and performed in one day.
This is my biographical information, quoted from my Wikipedia entry: "It is a little-known fact that Sick To The Back Teeth was the second snare drum player on Fleetwood Mac's "Tusk" album. He claims that he made it sound better, but the band's official press release stated that he was kicked out for ruining the album [citation needed]. Later in his musical career, he developed a poison that was capable of killing only Mick Fleetwood, specifically (but never intended to use it). His favorite Popeye character is Wimpy. [original research?]"
New album from Tim Chaplin/Luminous. Intended as a follow up to The Black Line album, which was released in 2008 on Clinical Archives, the House Of Spades continues the theme of death, sex and religion. More traditional instrumentation was used this time around drowned in noise and ambient sounds.
Artist: Transjuicer
Title: Headphone-Jams 2009
Label: 23 Seconds Netlabel
Genre: Slowbreaks / Electronic / Psychedelic
Release date: 2009-05-11
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Transjuicer is a musician and a DJ who lives in Groningen/The Netherlands. In 1990 he started organising house-parties and became a DJ in 1997. As a musician he rekindled his music love in 2004 with the album "No lights because no darkness", made in one week and only spread amongst some good friends. When asked to perform live on the 2009 Elektromacht Festival in Groningen, he made a set with only new tracks, again in under 8 days. All of these tracks are on "Headphone-Jams 2009". The music varies from chilled-out dubby tunes to acid-drenched dance music. Perfect for the sofa as well as for the club. Enjoy!
| Mu. is a solo percussion/concrete project dabbling in free jazz, noise and overall sonic dementia. most of the recordings made with one mic made out of cell phone parts and a ball of aluminum foil. improvised beats are the core with extra spice and frosting splattered on top. much thanks to my dog and THC for inspiration. |
We are pleased to welcome a new member to the parisian collective, Greg, aka Machinman, for his first release to a netlabel: four tracks from weird vocoder electro to Detroit flavoured techno. All are raw and analog materials, with minimal and sensitive harmonies. We enjoyed them very much and we hope you will. Feedbacks are welcome.
VT Team
Questioning what kind of sound could possibly be heard when sending an e-mail, whilst on a journey across a network and whether the sound differs when you receive an e-mail or when any form of data is being transferred across a Network.
The opportunity presented itself when an IT friend and I were having a conversation about his place of work and invited me to pop along and record the potential sounds. Not wanting to miss the possibility of investigating further, I spent the next few days, equipped with a number of recording tools sitting in an enormous network server room. My initial thought was that of complete astonishment! I couldn’t quite get over how noisy the space was! I perhaps ignorantly always imagined that it was going to be a very tranquil space, with just the discreet sound of a small fan and the occasional bleep. The vast amount of noise was mainly due to the number of cooling fans required to prevent the servers from over heating. Never really wanting to capture the sounds of cooling fans (perhaps I’ll save that for another project) I started focusing on the light sources from the many LED lights, using a number of different photocells, and to capture the actual sounds being transferred across the network I constructed an audio/ network cable that allowed me to connect to both the server and my laptop using Plogue Bidule and writing a MSP patch that recorded to one soundcard when data was being sent and to another soundcard when the data was being received. This method allowed me the option of manipulating in real-time either sound source whilst the data was been transmitted.
Seemingly a collection of simultaneous granular sounds, altering in frequency, tone and timbre, and with very little uniformity. A signal is received from the unpolished and altering sound. Once captured, it was then expanded through forming sequences of a coarse sonic progression and with the aid of Bidule it was possible within real-time to manipulate and begin to structure.
The final piece is comprised from 16 different servers and from 1200 different ports, collecting close to 16,000 sounds. The first section of the piece is the sounds heard when the data is being ‘Sent’ and the second half of the piece is the perceived sound of the data being ‘Received’.
Sylvie Walder and entia non (James McDougall) are well-known names in the netlabel-world and beyond. Sylvie Walder released collaboration-albums with Phillip Wilkerson, Siegmar Fricke, and "_" (as Kakitsubata). entia non has released solo-works on test tube, IOD, u-cover, Resting Bell and contributions on compilations for duckbay and Slow Flow Recs.
On "bewilderment" Sylvie and James create a rich and deep organic sound-cosmos. Droning background-layers, instrumental fragments, field recordings, voices, athmospheric glitches and crackles, all assembled to a breathing, living collage. Especially the first three tracks work with this sound-model. Based on Sylvie's piano recordings, James built up an impressive ambience by processing, re-arranging and re-structuring the material. The last track "le petit lac" is more guided by Sylvie's piano playing with only very subtle accouterments and mastering by James. The artists cooperate together over the huge distance between France and Australia, but the result actually sounds like they have sit together in the same studio and knew eath other since their school days.
It's a pleasure to hear how all the different elements, layers and sounds fit together and result in a work that sounds so clear, whole and beautiful.
Noerror is a project born in early 2000. Its first purpose was to relate some of the most famous demoscene music releases, it extended to all the active demoscene netlabels and finally all the netlabels, no disctinction. Just talent and beautiful music is now the word.
Originally created by moonove and knos.
8 years, the same team, the same point of view and the same passion.
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