A new record coming up from Khabarovsk, a city in far east Russia mostly is a half-improvised, half-live electroacoustic collaboration
between E. Gorbunov (more known by his debut Matsutake project) and his friends.
Together they create vast, empty and a bit dusty soundscapes by Jew's harp, jazzy guitar, old synthesizers, rhythmic noises and cuts perhaps. Overall, their music can be described as some Russian post avant-garde music, however you may characterize in any way you like this definitely original recording.
The release comes in a 50 copies limited white CDr in full color card sleeve, enveloped and sealed to ensure your nice far east travel into unexplored. The price is 7 euros including shipping worldwide. Three tracks are available for acquaintance to download. Have fun!
Andrey Kiritchenko
"Stuffed With/Out", CD, ns51
With this new album Andrey continues to explore the music space that was build
in his previous album True Delusion. This time he uses guitar, mouth harmonica,
field recordings, objects and computer processing. Being influenced by (psycho)
folk he creates warm "homemade" sound environment for the listener to follow.
Hiss, insects, 3-4 notes guitar melodies, mellow drones and digital processing
make every track a little story about stuffed animals.
Electro-Space netlabel/collective presents "Sol.itude" (ES12) an excellent five track EP of “obscure atmospheres & harsh intelligent-techno” sounds.
"Sol.itude" captures the ever evolving trademark sound of Tlahlok (US), and continues where his acclaimed debut album "Stone Mask" (ES09) concluded.
Check it out & Enjoy!
"Levemente" by Sumergido reminds us of the Summer.
The four relaxed electro tracks of the EP range between House and Dub, always light and a little playful.
You just notice that the summer of Buenos Aires never ends.
Apart from Sumergido's tracks you'll find remixes by Glander and Scaff.
Pasquale's Collapes is a collaboration between M.C. Harvey and dtownpaolo, with many styles represented. "Heading for the door" is a raucous punk rock number, fueled by late nights drinking PBR. Things remain lively with "Heaping helping", which gets an acid-hop groove going on. "Image on a plate" is incoporates many different rock n' roll elements, at least we think so. "Secrets" is a sultry soul tune with something to hide. And "Glass off" ends the journey on the shores of the beach with pure mellow auditory bliss.
«It is somewhat common these times, to see young artists and bands going back to the past seeking inspiration and influence to make contemporary works, today. Nic - Nicolaas Zwart - is no exception. This 19 year old musician from Olympia (Washington, USA) presents us with his third EP, after releasing at AudioTong and at Maetrix Solution. The recipe used by Nic here is pretty much the same used before: Old-school synths, pushed away in long-form dynamic waves, cold and edgy soundscapes with a warm and fuzzy feeling, and artificial and spatial bass lines, where everything else rests on.
'Arc of A Bird' starts with some very emotional synth lines, melodical and nostalgic, that start to open up to filtered percussion and rhythmic fx. There's a twist in it after a couple of minutes, introducing some new elements, like bass, staying in the background for some time. Nic's compositions need some time and room to breathe and gain some strenght to make it to the end. This song is a perfect example.
'Mumbai Slum (Version 2)' is a long piece, which actually feels longer than it really is. Very slow paced, like a slow motion digital symphony, it sucks us into its void of synths until you lose track of time. This is a really hipnotic track, although Nic doesn't use any drone elements in it. Nicely accomplished.
'Winter Forest' works as the EP's interlude, building up a church-like melody of organs and synth effects, with some interesting reverb and sharp sounds underneath.
'Arc of A Bird Part Two' could be the subtitle for 'Street Kid'. Nic uses the same synth lines that he used in the first track, but this is a much more intricate and complex track. Almost crosses IDM territory, when he throws those percussion bleeps and bloops in the first half. It then evolves in a slow and descending march towards the end.
Final chapter with 'Welcome To Nowhere'. Sounds like the goodbye it pretends to be, but it could also work like another interlude, if this EP were to grow any further. More warm synth lines, glitchy but discrete effects and fuzzy melodies wrap up a very interesting EP from Desolation Wilderness.
We're left with the feeling that Nicolaas still has much more to say, and we hope he continues to deliver. Nice one.» - Pedro Leitão
for "consumer vs. user remixed" accomplished composer, performer and sound designer andrew duke provided samples from his recent release on california's phthalo for anyone to use in the production of an original song. with the support of respected software companies such as ableton, m-audio, native instruments & audiomulch, the results of the creative interpretation and re-interpretation of the source material by the artists invloved was outstanding. the canadian based netlabel stratagem could not have had a more diverse and innovative collection of music for it's sixth release. with artists such as tomas jirku (riversof, force inc., traum, tuning spork, mille plateau, klang), hrdvsion (wagon repair, itiswhatitis, traum, subpop), and naw (clevermusic, noise factory), the release spans a wide variety of electronic music genres from the abstract and minimal to the melodic and experimental.
Noerror is a project born in early 2000. Its first purpose was to relate some of the most famous demoscene music releases, it extended to all the active demoscene netlabels and finally all the netlabels, no disctinction. Just talent and beautiful music is now the word.
Originally created by moonove and knos.
8 years, the same team, the same point of view and the same passion.
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